AIR, FRAMED AIR, DISPLACED AIR
The first proyect is the most difficult and ambitious attending to it’s geometry. In order to build a bird watcher tower in El Pardo, we end up finding the shape of the flight of a flock of starlings. The result is a light cloud of metal mesh that can be climbed and from where you can watch El Pardo and the birds that inhabitate it through the different filters created by the metal mesh itself.
The next project is a living place which measures were 6x2,5x2,2m. I imagined that the two equipped walls situated at the ends of the container could work as a picture frame in the landscape; we only had to protect the south facade from the sun and incorporate “skins” on it’s windows to make it more confortable. I also incorporated a piece of furniture inspired by Erskine, that had different position options.
In the final project, I had to build a living place aswell, but this time I didn’t have measure restrictions. Different volumes were displaced looking for the sunlight as if they were periscopes on the scenary. One of the pieces moved upwards creating the bedroom, hierarchizing a private floor versus a lower one more transparent, diaphanous and public. At the end of the sequence of volumes, we find the mirror-yard, that confuses even more creating trombones.
The next project is a living place which measures were 6x2,5x2,2m. I imagined that the two equipped walls situated at the ends of the container could work as a picture frame in the landscape; we only had to protect the south facade from the sun and incorporate “skins” on it’s windows to make it more confortable. I also incorporated a piece of furniture inspired by Erskine, that had different position options.
In the final project, I had to build a living place aswell, but this time I didn’t have measure restrictions. Different volumes were displaced looking for the sunlight as if they were periscopes on the scenary. One of the pieces moved upwards creating the bedroom, hierarchizing a private floor versus a lower one more transparent, diaphanous and public. At the end of the sequence of volumes, we find the mirror-yard, that confuses even more creating trombones.
- 00 - Description
- 01 - Model
- 02 - Concept
- 03 - Volume
- 04 - Model
- 05 - Axonometric
- 06 - Section
- 07 - Sketch
- 08 - Section
- 09 - Section
- 10 - Model