The legacy of the archaeological museum as a type dates back to the 18th century, when kingdoms and empires were established. At a time when it is perceived that knowledge institutions are in crisis, the role of the National Archaeological Museum (M.A.N.) changes. For this, and with an anti-colonialist attitude, the museum expands its temporary exhibition spaces. Taking advantage of its location, it offers new programs that seek to mitigate the crisis that museums are experiencing today.

The project refers to heritage and tries to have the least visual influence when people are near the museum, thus respecting the environment. While when the people are far away it is a claim, appearing and disappearing with special attention to the heights of Madrid.

Current spaces are reorganized while more inclusive and diverse programs are accommodated. The museum programs are intuitively organized into separate platforms, intermediate planes and flowing boxes, which together dictate the distinctive faceted form of the project.